Tag: Inverleith House

Early Warning Signs

In a time of such unpredictable global conditions, we can’t pull ourselves away from thinking about the timely delivery of RBGE’s newly adopted artwork Early Warning Signs. Taking up a prominent position at the entrance to Inverleith House at the beginning of this year, it seems only too fitting that the spinning ‘climate/change’ (‘change/climate’) sign arrived during a particularly stormy January.

Part 2/2: ‘Sensing and Presencing the Imperceptible’, Siân Bowen’s Micro-conference

Alessandra Leruste has been a Volunteer gallery assistant with Inverleith House since 2019. Alessandra has an MA in History of art from the University of Edinburgh and has her own art-writing blog. Here, Alessandra shares her experience from the afternoon of Siân Bowen’s micro-conference at RBGE.

Part 1/2: ‘Sensing and Presencing the Imperceptible’, Siân Bowen’s Micro-conference

Klaudia Jaworska is in her third year at Edinburgh Napier University, studying International Festivals and Events Management and Marketing. As part of her course, she is currently carrying out a work placement in RBGE’s Public Engagement Department. Here, Klaudia shares her experience from the morning of Siân Bowen’s micro-conference at RBGE.

Siân Bowen’s Leverhulme Research Fellowship Exhibition: After Hortus Malabaricus: Sensing and Presencing Rare Plants

After Hortus Malabaricus: Sensing and Presencing Rare Plants marks the culmination of my four-year collaboration with the Herbarium at the Royal Botanic Garden Edinburgh (RBGE). Having held my first solo exhibition in Scotland at Inverleith House at RBGE in 1995, it is wonderful to be able to exhibit here once again. In 2017, I was awarded a Leverhulme Research Fellowship to carry out the project. The Leverhulme Trust is known for supporting experimental proposals with an emphasis on outward facing journeys. The journey that the award facilitated has certainly been extraordinary – opening up possibilities to work with botanists, ecologists, historical researchers, cultural geographers, taxonomists and curators. It has allowed encounters with rare plants in darkened herbaria and light-filled South Indian forests and swamps; epistemologies used to ‘reveal’ specimens and sensory differences between plants’ live and preserved states.

Natural Selection Exhibition at Inverleith House

Inverleith house has produced many wonderful exhibitions. The Lost Words exhibition being a great success with the many visitors that attended. The newest addition to Inverleith house is…

A sculptural take on our Herbarium collection

In May 2017 the Scottish sculptor Bobby Niven visited the Herbarium here at RBGE for a tour of the collection. He was on a fact finding mission as…

Plant Scenery of the World

Plant Scenery of the World brings together new and commissioned works by contemporary artists alongside archival material and contemporary botanical drawings from the collection of the Royal Botanic Gardens.

Cornus capitata – FED 331– a botanical phoenix

In previous Botanics Stories I have written about the joys of Herbarium Angling, but fusty old botanists do occasionally emerge into the glare of daylight and take a…

Inverleith House poster exhibition begins 30th anniversary celebrations

Inverleith House is celebrating three decades of contemporary art and botanical exhibitions at the Royal Botanic Garden Edinburgh with a presentation of rarely seen posters and invitation cards…

Botanics Sparrowhawks – Added Inspiration

Image: Duncan Marquiss, Search Film, 2015 (Film Still). Courtesy of the artists. Despite being a quiet spell for observing Sparrowhawk activity in the garden, it is still possible…