Category: ExhibitionsPage 1 of 4

Early Warning Signs

In a time of such unpredictable global conditions, we can’t pull ourselves away from thinking about the timely delivery of RBGE’s newly adopted artwork Early Warning Signs. Taking up a prominent position at the entrance to Inverleith House at the beginning of this year, it seems only too fitting that the spinning ‘climate/change’ (‘change/climate’) sign arrived during a particularly stormy January.

Part 2/2: ‘Sensing and Presencing the Imperceptible’, Siân Bowen’s Micro-conference

Alessandra Leruste has been a Volunteer gallery assistant with Inverleith House since 2019. Alessandra has an MA in History of art from the University of Edinburgh and has her own art-writing blog. Here, Alessandra shares her experience from the afternoon of Siân Bowen’s micro-conference at RBGE.

Part 1/2: ‘Sensing and Presencing the Imperceptible’, Siân Bowen’s Micro-conference

Klaudia Jaworska is in her third year at Edinburgh Napier University, studying International Festivals and Events Management and Marketing. As part of her course, she is currently carrying out a work placement in RBGE’s Public Engagement Department. Here, Klaudia shares her experience from the morning of Siân Bowen’s micro-conference at RBGE.

Looking at After Hortus Malabaricus

As a Gallery Volunteer it has been my privilege to spend a good number of hours looking at the diverse range of objects in the artist Siân Bowen’s…

Siân Bowen’s Leverhulme Research Fellowship Exhibition: After Hortus Malabaricus: Sensing and Presencing Rare Plants

After Hortus Malabaricus: Sensing and Presencing Rare Plants marks the culmination of my four-year collaboration with the Herbarium at the Royal Botanic Garden Edinburgh (RBGE). Having held my first solo exhibition in Scotland at Inverleith House at RBGE in 1995, it is wonderful to be able to exhibit here once again. In 2017, I was awarded a Leverhulme Research Fellowship to carry out the project. The Leverhulme Trust is known for supporting experimental proposals with an emphasis on outward facing journeys. The journey that the award facilitated has certainly been extraordinary – opening up possibilities to work with botanists, ecologists, historical researchers, cultural geographers, taxonomists and curators. It has allowed encounters with rare plants in darkened herbaria and light-filled South Indian forests and swamps; epistemologies used to ‘reveal’ specimens and sensory differences between plants’ live and preserved states.

Tjipetir – the next chapter…

The Think Plastic- materials and making exhibition which has just opened is a collaboration between artists Lorna Fraser, Carol Sinclair, Fiona Hutchison, Fiona Pilgrim and Carla Edwards and…

Why I love Volunteering for Microsculpture & Talking About Insect Vision

As a life-long lover of insects, I jumped at the opportunity to volunteer at the Microsulpture exhibition at the Inverleith House Gallery at the Botanics .  I had…

Microsculpture on your door step

Guest blog by Ashleigh Whiffin, entomologist (NMS) The breath-taking Microsculpture exhibition of insect portraits opens at RBGE later this month and it’s no secret that I’m a little…

Natural Selection Exhibition at Inverleith House

Inverleith house has produced many wonderful exhibitions. The Lost Words exhibition being a great success with the many visitors that attended. The newest addition to Inverleith house is…

Meet Hatch

Introducing Hatch, the newest member of the RBGE menagerie, and the only oomycete.

Chelsea Flower Show 2018

  This year was my first year at Chelsea. I was lucky enough to be able to work at Chelsea for Kevock garden plants. The display had a…

The Sweet Chestnut project (The Afterlife of a Tree)

Building on the biodiversity the garden supports  Regular visitors to the garden will have noticed a mature Sweet Chestnut in the later stages of its life with only a…

Podcast: Chatting with Marianne Hazlewood about Botanical Illustration

It was a pleasure to sit in the garden with Marianne Hazlewood and talk about her journey from graphic designer to botanical artist as well as the origins…

False Habitats and the Twisted Threads of Fate

Ben Rivers, Urth, 2016. Courtesy of the artist and Kate MacGarry, London   False Habitats and the Twisted Threads of Fate[1] Buildings almost always outlive their makers; and…

Sense and Perception in Plant Scenery of the World

The eye exists in a primitive state. The marvels of the earth a hundred feet high, the marvels of the sea a hundred feet deep, have for their…

Diploma in Botanical Illustration 2017 Graduation Show

Visit the Diploma in Botanical Illustration show in the Fletcher Building from the 9th to the 17th September from 11am – 4pm each day. The Graduate Show 2017…

What soothes you?

We are excited to have created an exhibition with the Project Soothe team at the University of Edinburgh Department of Clinical Psychology  in the Real Life Science Studio…

A sculptural take on our Herbarium collection

In May 2017 the Scottish sculptor Bobby Niven visited the Herbarium here at RBGE for a tour of the collection. He was on a fact finding mission as…

A short film on Hugh Cleghorn: Indian Forester, Scottish Laird

A short film on Indian Forester, Scottish Laird and the personalities behind it.